Dead Dads Club: Self-Titled

Dead Dads Club: Self-Titled

Former Palma Violets frontman Chilli Jesson turns grief, fatherhood and two decades of buried emotion into a raw and cathartic debut.

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Bloc Party: Silent Alarm

Bloc Party: Silent Alarm

Twenty years on, Bloc Party’s debut still sounds thrilling, built from jagged guitars, relentless drums and songs that helped define British indie in the mid-2000s

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The Clause: Victim Of A Casual Thing

The Clause: Victim Of A Casual Thing

The Clause, deliver their debut after years on the road, turning friendship, heartbreak, youthful chaos and huge choruses into a record built for bigger rooms

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Wolf Alice: The Clearing

Wolf Alice: The Clearing

Wolf Alice sound more confident and settled than ever on a fourth album that pushes their songwriting forward without losing what made them special

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Oasis: Time Flies

Oasis: Time Flies

Revisiting the singles collection that tells the story of Oasis from ‘Supersonic’ to their final recordings

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Wunderhorse: Midas

Wunderhorse: Midas

Wunderhorse embrace a rawer, heavier sound on second album ‘Midas’, capturing the intensity that made their live shows so compelling

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Courteeners: Pink Cactus Cafe

Courteeners: Pink Cactus Cafe

Courteeners step beyond their familiar indie sound on ‘Pink Cactus Café’, embracing pop, electronics and a wider cast of collaborators

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Sam Fender: People Watching

Sam Fender: People Watching

A review on the latest album by Sam Fender

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Shack: HMS Fable

Shack: HMS Fable

A review on the 1999 masterpiece by Shack

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The Strokes: Is This It

The Strokes: Is This It

A review on the debut album by The Strokes

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Young Fathers: Heavy Heavy

Young Fathers: Heavy Heavy

My review on Young Fathers, masterpiece Heavy Heavy

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